Question: Did Chains kill Nancy because he knew that Stone confided in her that he was a cop, and she agreed to testify against the brotherhood? If so, how did he know that? Also, how did he know that Stone's real name was Joe Huff? Did Nancy tell him, or did the "sister" that was working with the police tell him? Also, how did the Bolivian know that Stone had infiltrated a biker gang so that he could rat on him, and how did he know which biker gang he infiltrated?
Questions about specific movies, TV shows and more
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Question: In a real life situation, would Blankes and Copeland have any disciplinary actions against them when their guns were taken from them and used to hold Harris hostage and shoot at Mahoney?
Question: During the scenes with the Apaches what language are they speaking?
Question: There are quotes on the fridge of the George Lopez show. Is there a collection of pictures (or screenshots) of the different quotes?
Question: Doc seemed hell-bent on destroying the DeLorean. So why did he go to the future and get a hover conversion done on the train? Why didn't he just build the train, return to his own time and then destroy the train?
Answer: He didn't return to the Old West, both of them had a desire to go to the final frontier. Their favorite author is Jules Verne, who wrote "From Earth to the Moon."
Answer: Doc was happy living in the Old West but returned to the future to collect his dog, Einstein, and he didn't want Marty to worry about him. He probably also wanted to make sure that Marty had made it safely back to his own time, to properly say goodbye, and make sure the DeLorean was never used again. He never indicated he would destroy the train, only the DeLorean. The hover conversion on the train would have been done in the Old West, not in the future.
I doubt he was able to make the train hover in the old west, whilst he could easily go to the future with it and do it there, like he did with the DeLorean. He did say he has been to the future with it, so it's logical to assume that's where he upgraded it.
Doc never says he went further into the future with the train or did the hover conversion there. If he could build a time-traveling locomotive in the 1880s, then he could create a hovering one, as he had the knowledge. Marty asks if he's going back to the future, and Doc says no because he's already been there. That could be interpreted a number of ways. It's a sci-fi movie, and there is a lot of suspension of disbelief employed here.
While the movie isn't explicit about when or where the Time Train was built, other sources do indicate its hoverconversion was done in the future. While Doc could invent a machine that was capable of time travel (the mechanics of which aren't really discussed), he had to travel to the future to convert the DeLorean and couldn't even fix the DeLorean in the past.
What 'other sources' indicate Doc travelled to the future for the hover conversion? Any fan speculation is invalid. I also don't get the argument. While Doc was unable to fix the DeLorean when Marty was in the Old West, he could, and did, in later years, build the time-travel train in the past. He could not otherwise have gone anywhere into the future to do anything. Time-travelling without the hover ability would be extremely difficult as a locomotive would be noticeable and require taking off and landing on empty train tracks. Doc would have to hide the locomotive while converting it. He would also have to know before time-travelling that the railroad tracks he took off on still existed in the future, as he could possibly arrive smashing into what became an urban development. This should be considered as both a deliberate plot hole and a plot device using "suspension of disbelief" solely intended to give the series a spectacular finale.
The comics reveal that Doc Brown traveled to 2017 in a prototype time machine and purchased materials which he brought back with him to the 1890s to use on the Time Train.
Question: Who were the 7 Jenkins brothers? And how did Rattle Snake Jake kill them?
Question: Why does Stanley believe writing a book is a cop-out?
Answer: Because writing isn't a real job with a regular paycheck. Jack hasn't paid his mortgage in 6 months, so he's not making a living as a writer. So when Jack replies he has a job as a writer, Stanley is saying Jack is using that idea as an excuse not to work a regular job.
Question: At the bandstand dance there's an extra who gets a lot of camera time. (Brown jacket, open shirt and tie around his neck). As well as a delayed shot of him, Sandy also bumps into him when leaving. Not sure why he gets so much camera time almost as if he had a part elsewhere that got cut out. Any thoughts?
Answer: I remember watching a commentary when I was young. This woman on the crew pointed out that it was her son, or the son of a different crew member. I can't remember specifics because I watched the commentary over 10-years-ago. She may have been a producer or someone like that.
Answer: That makes sense to me. I've wondered about him too. But I've seen him in many other scenes when watching the movie again tonight on TV to honour the passing of Dame Olivia Newton-John.
Question: Why is Wybie hanging from the top of Mr. B's pole thingy toward the end?
Answer: Cause the other mother probably killed him.
Question: If Blade knew the bomb on the back of Reinhardt's head wasn't actually a dud like Scud believed it to be, why didn't he detonate it and kill Reinhardt instead of using it to kill Scud? Surely Reinhardt is a bigger threat than Scud. Blade could kill Scud with his bare hands if he wanted to.
Chosen answer: Killing Scud with it probably was more satisfying for Blade than Reinhardt, who he easily beat as well. He hates familiars and that moment he used the bomb to have Scud reveal his betrayal, and then kill him, so he won't get away. Reinhardt he knew would not try to run, he was killing him anyway.
Agreed. I saw it as he was waiting for Scud to show his hand. Like Blade said, he knew Scud was a traitor/a familiar the moment they turned him. He was waiting for the perfect time to let Scud know that he was already well informed on his betrayal, and that his azz was now cooked. Doing it that way was way more satisfying for Blade.
Question: At the end when the Russian vampire has his would-be victim in a choke-hold, she says something to him, and he says something in return, but neither lines are subtitled. What are they saying?
Chosen answer: I have taken the Russian subtitles and machine translated them, then edited for clarity. Here they are with and compared to the hard subs from the theatrical release of the movie. Russian version is in brackets. Here is the full conversation... MOSCOW Woman: (A good show. I'm glad we went.) Vampire: (It went well, I thought?) Woman: (Yes, keep up the good work.) Vampire: (I will try.) Woman: It's cold. Where are we going? (I'm so cold. Where are we going?) Vampire: It's a surprise. Woman: Surprise? (Surprise? Really?) Man: (Yes.) Woman: I like surprises. (You know, I like surprises.) Vampire: Then you'll like this - (Then you'll like it very much.) Vampire: (You have such sweet skin!) Woman: (Peter, what are you doing? You're hurting me!) Vampire: (You will live forever.) Woman: (Don't touch me!) Blade: (Hey, good evening.) Blade: Catch you at a bad time - Blade: - Comrade? Vampire then growls until blade draws his sword and it cuts to credits.
Question: Why wouldn't the vampire elders just kill Deacon Frost if he's such a problem for them? It's not like they have a code of ethics to follow, plus it would send a message to any other rebellious vampires.
Chosen answer: It would seem Deacon has gathered a lot of strength around himself, in followers of "young" vampires like himself. After he kills Gitano he just abducts all the vampire elders, showing his followers are a lot stronger than the elders are. So they probably couldn't have killed him even if they wanted to, not unless they want to unleash a war. They thought his pursuit of the vampire god was totally pointless, so they let him waste his time and were probably trying to find a way to get rid of him.
Question: How exactly did they make John Leguizamo look so short? Was he just sitting on some seat concealed inside the fat suit?
Chosen answer: He is squatting the entire time in every scene. The suit probably helped in ways to balance himself whilst squatting, so he could hold on much longer than normally.
Question: Why didn't the lady who was originally with Mid-Size Sedan decay quicker, and we were able to see her body intact when she hit young Trent in the water?
Answer: Because she was 'freshly' dead when she hit Trent.
Question: When New York got hit with a tidal wave and Sam asked the receptionist where the "pay phones are?" Why didn't he just ask to use one of the 100s of phones throughout upper parts of the building? I'm sure a verbal warning was the last thing the receptionist mind, I mean there was a freaking oil tanker floating up the street. (00:25:00 - 01:00:00)
Answer: The power had been knocked out meaning anything more than a basic telephone wouldn't be able to work. Payphones would get their power directly from the phone line and given how essential phones are to call emergency services, phone lines usually have backup power sources (batteries, generators etc) in case of power outages.
Question: The scene towards the end when Uma is in her car asleep and sees Ethan leaning on the car, in the side mirror, she is in a dress, isn't she? Seems as if it was a continuation of the date night scene, but it is after she already took the cop to Ethan's house, in the day, wearing a uniform, right? I feel this is a weird continuity error or am I wrong. Or why is she asleep in her car in a dress in that scene.
Question: When Indy is in the final room to get the golden idol, how does he know exactly which plates to step on? None of them have moss like the first that he pushed down with the wooden torch. They have no distinguishing features. How can he tell which ones are the safe ones?
Answer: Note how Indy only steps on the darker area surrounding the centre of each plate, but triggered the trap by pushing down the centre area. That could mean that the plates consist of two parts and only the centre part is the trigger. Thus it would've been easy to figure out that "walking on the cracks" is the savest way. Additionally, Indy might be putting on a "genius at work" show for the clumsy assistant. If tomb raiding was revealed as being rather easy, everybody would do it.
Answer: I fully agree with the other answer, and just to expand a bit: we also don't question how Indy knew to "stay out of the light" on the previous trap, or how he knows the idol is on a platform triggered by a change in weight. Clearly, he's done his homework.
Answer: Indy is an archaeologist and would have extensively researched the culture, history, customs, technology, etc. digging up any clue to how and where to find the idol. There may have been other treasure caves found with similar booby traps in place that others tried and failed to overcome. Indy was making a (literal) leap of faith that he had the correct knowledge. There is some "suspension of disbelief" employed here, where the audience accepts that Indy had somehow gained the proper knowledge.
The Redneck on Rainey Street - S8-E21
Question: After Kahn and Minh neglect their home and bills, the realtor tells Hank that they will be out of the house "in ten working days." Wouldn't the bank be required to give them thirty days?
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Answer: With no witnesses to say HOW their guns were taken, they could have said they were taken by surprise and overpowered. Knowing their characters, this is likely what happened. No one would know the truth, that they simply froze and allowed the man to take their guns away.