Other mistake: This takes place in 1942, but modern 1970s era cars can be seen behind Wonder Woman and Steve when the attendants are loading Benson into the ambulance. Then again later, when The Falcon's partner creates a diversion and is being shot at by the guard.
Continuity mistake: When Wonder Woman chases after Benson her boots are flat and then the heels appear. It happens again later, while The Falcon tries to reach Professor Warren.
Visible crew/equipment: When Diana and Steve meet with Dr. Barnes at the hospital, they stop in the corridor to discuss the guard's condition, and when they resume walking the actors' T-mark and two tape marks are visible on the floor, where they had been standing.
Wonder Woman vs Gargantua - S1-E7
Continuity mistake: After the Nazis capture Steigler, while they're at the oil refinery Gargantua is in a cage behind them, and when Erica blows the whistle the gorilla reaches through the bars and grabs a large cardboard cutout of Wonder Woman, which was leaning against the wall, but the problem is that in the previous shots that cardboard cutout was not there.
Wonder Woman vs Gargantua - S1-E7
Visible crew/equipment: When Erica and Hans pay a visit to Dr. Osmond, just as Erica walks into the lab and stops in front of Gargantua's cage, the tape mark is visible on the floor in front of her feet (fullscreen version).
Wonder Woman vs Gargantua - S1-E7
Visible crew/equipment: While Wonder Woman searches for Steigler at the deserted oil refinery the Nazis force Steigler to shout for help, then when they all hide and Wonder Woman breaks into the room, the actors' two tape marks are visible on the floor near Steigler.
Wonder Woman vs Gargantua - S1-E7
Revealing mistake: While the circus crowd is gathered around the cage with Gargantua, there's a closeup of the gorilla as he roars and we can see the stuntman's human teeth behind the gorilla's teeth. It happens again in Gargantua's closeup while he's climbing up to Steigler's window.
The Feminum Mystique: Part 2 - S1-E6
Other mistake: When Captain Radl is parachuting into the water, the episode's onscreen textbox reads, "Elsewhere in the Carribean, a Nazi rendezvous is occuring," but the proper spelling of the words are "Caribbean" and "occurring."
The Feminum Mystique: Part 2 - S1-E6
Revealing mistake: When one of the Nazis brings Drusilla a hot meal while she's being held in the deserted warehouse, in the shot just as she whacks him in the stomach we can see the stunt cable over the Nazi (stunt double) which lifts and pulls him back.
The Feminum Mystique: Part 2 - S1-E6
Continuity mistake: While Nazis are invading Paradise Island, back at the deserted warehouse when one of the Nazis brings Drusilla a hot meal he slams the door shut, but when Drusilla hits him in the stomach the door is suddenly wide open, but when she rushes out of the room the door is closed and she pushes it open.
The Feminum Mystique: Part 2 - S1-E6
Other mistake: This takes place during WWII, but during scenes revolving around the XPJ-1 at Aldridge Field, there are modern 1970s vehicles which can be seen all over the airfield in the background of some shots.
The Feminum Mystique: Part 2 - S1-E6
Other mistake: On Paradise Island, while the Nazis are distracted by the quarreling Amazons in the water, when Wonder Woman jumps and lands beside Queen Hippolyta her boots are flat, but the heels soon appear when she rushes off with the bracelets. This happens again later, when Wonder Woman chases after the XPJ-1 on the runway.
The Feminum Mystique: Part 2 - S1-E6
Visible crew/equipment: When Queen Hippolyta gives Drusilla permission to go back with Dianna, just Drusilla and Diana kiss their mother goodbye we can see the shadow of the boom mic moving on the wall at the top of the screen.
The Feminum Mystique: Part 2 - S1-E6
Visible crew/equipment: After the Nazis are defeated on Paradise Island, Queen Hippolyta tells her daughters that she has plans for those Nazis, and at the start of the next shot a bit of set equipment is visible at the left side of the screen (widescreen version).
The Feminum Mystique: Part 2 - S1-E6
Visible crew/equipment: During the Nazi rendezvous aboard the destroyer in the Caribbean, when Captain Radl and the other Nazi walk into the ship's stateroom, both unfinished ends of the set walls are visible at the left and right side of the screen (widescreen version).
The Feminum Mystique: Part 1 - S1-E5
Visible crew/equipment: After General Blankenship is shoved into the back seat of Captain Radl's car, when the front passenger door is opened, we can see the reflections of the cameraman's feet, set lighting, the camera dolly on the surface of the door. Then as the car drives off, more crew members are reflected on the side of the car.
The Feminum Mystique: Part 1 - S1-E5
Visible crew/equipment: During the games on Paradise Island, a few trailers and two cars (one has a protective cover over it) are visible in the background, first in the opening shot and also when Drusilla rides the horse past Queen Hippolyta.
The Feminum Mystique: Part 1 - S1-E5
Visible crew/equipment: After one of the Nazis jumps into the cockpit of the XPJ-1 Diana spins into Wonder Woman, and in the closeup of Wonder Woman deflecting the MP's bullets, one of the wired remotes that control her bracelets' sparks can be seen in her right hand.
The Feminum Mystique: Part 1 - S1-E5
Continuity mistake: When Diana comes home and spins into Wonder Woman there's a plant on the table under the mirror, but when she walks out of the kitchen with Drusilla that plant is on the floor. Then, note the only thing atop the hutch is a crystal basket, but when she changes back to Diana Prince two more large items are atop the hutch, now the plant is back on the table, and a tall lamp has suddenly appeared beside the chair.
The Feminum Mystique: Part 1 - S1-E5
Visible crew/equipment: While General Blankenship is driving in the car with Drusilla he gets cut off by Captain Radl's car, and just as the two Nazis get out of their car the reflection of the boom arm/mic is visible on the roof of their vehicle.
Answer: There is no logical reason. Any normal person would notice these type of absences. The show employs a "suspension of disbelief," which is a literary device where the movie audience or a book reader accepts that certain things are unreal for the sake of the story to be told. It is similar to no-one noticing that Clark Kent looks exactly like Superman because he wears glasses.
raywest ★