The Andy Griffith Show

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Revealing mistake: On most of the corners of the buildings, you can see seam lines running down between the different sides of the buildings. The bricks on the opposite sides usually don't line up with each other either even though they are supposed to be the same brick.

terry s

The Andy Griffith Show mistake picture

Barney's Replacement - S2-E2

Revealing mistake: The woman in the foreground, as the siren is stuck, is carrying a paper grocery sack from "Hollywood Ranch Market" which was located on Vine St and Fountain Ave in Hollywood, Los Angeles. (00:09:35)

Cousin Virgil - S2-E30

Revealing mistake: When Barney pulls the jail cell window out of the exterior brick wall, as it's being yanked out we can see that the brick wall is only thin drywall during the stunt, as well as the fact that the wall around the breakage differs significantly between the closeup and wide shots.

Super Grover

The Andy Griffith Show mistake picture

Andy and Opie - Bachelors - S3-E4

Revealing mistake: After Andy and Opie choose between chicken and pot roast using a nickle, when Opie gives the nickle back to Andy the window over the sink is missing - the fake window wasn't put up on the set wall for this shot, but when the food burns the window and curtains are up there as usual.

Super Grover

The Andy Griffith Show mistake picture

The Bank Job - S3-E13

Revealing mistake: During the holdup at the bank, while the bank robber's holding Asa's broken gun, when Andy motions to Asa to duck out of the way in the closeup we can see the two thin wires to the left and right pulling the gun apart.

Super Grover

A Wife for Andy - S3-E29

Revealing mistake: In the scene where Andy starts reading Opie a story, watch when the first woman rings the doorbell. As soon as Andy opens the door you can see that the set all of a sudden gets a lot brighter, as if they turned more lights on.

The Big House - S3-E32

Revealing mistake: The jailed criminals take the key and open the jail cell door. The problem is the dead bolt never moves with the key, showing the door was never locked to begin with.

terry s

The Andy Griffith Show mistake picture

Ernest T. Bass Joins the Army - S4-E3

Revealing mistake: When Barney picks Andy up and they get back to the courthouse, they find Ernest T out of the jail cell again and breaking more windows, and in the shot of Ernest T leaping in the air we see it's actually a flipped shot - note the backwards "snack bar" in the window (that store is later when Ernest T tries to break the new glass for the courthouse).

Super Grover

Back to Nature - S4-E31

Revealing mistake: When Andy, Barney, Gomer, and the kids are at the campsite in the woods, during the daytime scenes the only shadows that should be seen are the ones being cast by the sun, but there are shadows being cast in different directions due to the set lighting.

Super Grover

The Andy Griffith Show mistake picture

Opie Loves Helen - S5-E1

Revealing mistake: At the end, in the shots of the kids dancing in class, the width of the wall between the shelf/coat hooks and the perpendicular wall with the door has bizarrely increased by 1-2 feet, but that extra width is gone in previous and following shots. Presumably they needed extra space for all the kids to dance so they moved that left wall.

Super Grover

Three Wishes for Opie - S5-E14

Revealing mistake: Barney, convinced he can foretell the future, is in the darkened jailhouse, seated between Goober and Floyd at a table. Goober strikes a match and lights a lamp which is directly in front of Barney. The immediate illumination obviously comes from a studio light because the men's shadows on the wall are to the far left of the men, instead of directly behind them.

More mistakes in The Andy Griffith Show

Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

More quotes from The Andy Griffith Show

Trivia: In Walker's Drugstore, among all the magazines by the wall there's a TV Guide magazine (from Oct 9, 1954) on the shelf, and on its cover is Lucille Ball the co-owner of Desilu Productions - which produced TAGS, and also filmed at Desilu Studios.

Super Grover

More trivia for The Andy Griffith Show

Convicts-at-Large - S3-E11

Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?

Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.

Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.

Super Grover

Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.

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