Poltergeist

Continuity mistake: At the start of the film, the dog is seen going from room to room looking for food. Just before he goes into Dana's room, someone can be seen through the crack in the door, moving from left to right.

Continuity mistake: When Carol Anne is being sucked into the closet vortex she clearly lets go of the white wicker headboard of her bed. In the next shot, the child (actually a dummy or a stunt double) is seen sailing into the closet, grasping a sizeable section of the now broken headboard.

Revealing mistake: When the chair moves across the kitchen floor, Craig T. Nelson goes to investigate it (after it has stopped moving). He goes up to the chair and flips it over. If you look closely, Craig almost hits the camera with the chair's legs. You can tell this has happened because the camera moves up very quickly and Craig looks straight at the camera crew with very big guilty eyes. This is more easily visible on the widescreen version of the film. (00:33:30)

More mistakes in Poltergeist

Trivia: While filming the toy clown attacking Robbie, the clown's arms were wrapped tightly around Oliver's neck. He immediately said he couldn't breathe but Steven Spielberg and Tobe Hooper both thought that he was ad-libbing. When Spielberg saw Oliver's face turning purple, he realised that he really was being asphyxiated and ran over to remove the arms from his neck.

Trivia: In the swimming pool scene with the mother near the end, the actress didn't know it, but those weren't fake skeletons.

Trivia: The scene where the ghosts stacked the chairs on the kitchen table was filmed in one take with no cuts. As the camera followed Diane Freeling to the kitchen sink, the crew members rushed to the table, put an already built pyramid of chairs on the table and then took away the individual chairs.

More trivia for Poltergeist

Carol Anne Freeling: They're here.

Question: What exactly is the red slime on the body of Carol Anne and her mother after they are rescued from the another dimension?

Answer: Ectoplasm.

Phixius

Question: Why was only the Freelings' house sucked into the vortex? Since it was discovered that the developer only moved the headstones but left the bodies, shouldn't other houses that were also built over the cemetery have also been dragged in?

Answer: It seems that the majority of the activity was focusing in on the Freeling house exclusively. It's not fully explained why they were the only house affected, but there are a number of possibilities. Possibly because it's where the highest concentration of spirits were at unrest. Possibly because it could be inferred that the Freelings moved in first given Steven was involved with the company that built the community, and thus they became the first targets. And possibly because they were trying to get to Carol-Anne since she was an easy target.

Also, it is mentioned in the movie that Carol Anne was actually born in the house. That likely caused everything to focus on her.

It was not meant that Carol Anne was literally born inside the house, just while the family was living there. It was just a casual colloquial expression Steven's boss made.

raywest

Answer: A poltergeist haunts a person rather than a place. Though building the neighborhood over their graves is what initially disturbed the ghosts, they are fixated on Carol Anne.

TonyPH

Question: What exactly did the ghosts want with Carol Anne?

Answer: They were attracted to her life force. She was such a young child, that it was particularly pure and strong within her.

raywest

Answer: They were partly attracted to Carol Anne because she she was born in her house.

She was not literally born inside the house. She was born while the family was living there.

raywest

The movie literally says she was born IN the house. When Teague asks, "One of your children was born in your house, huh?" and Steve replies, "Carol Anne."

More questions & answers from Poltergeist

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