The Phantom of the Opera

Factual error: Raoul is the Vicomte de Chagny and he gets called that throughout the movie, even during the auction (which shows he didn't change titles when his parents or his brother died, for example). Yet Christine's tombstone calls her a countess when it should have read viscountess - or, even better, vicomtesse.

Sereenie

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Suggested correction: When you watch "love never dies" he leaves her because the phantom won the bet, it's implied they got a "divorce" so she is still a countess.

But, in love never dies, it shows Christine dying in the year 1910, (when the whole thing was set) but on her tombstone, it shows that she died in 1913. Since Gustave is ten years old, this would make Christine in her late forties-early fifties when she had him, which is practically impossible. This is why I love LND's music, but the story is just too cheesy and inconsistent to the original for me. Since the original creator of the musical, Andrew Lloyd Webber, has chosen to call it a "stand-alone piece." and not a sequel, I would not use it as a reference for future endeavors with the trio.

Vicomtesse and Comtesse are two completely different titles. For Christine to become a Comtesse, Raoul would have had to become a Comte, but he didn't. He remained a Vicomte, therefore, Christine's tombstone should have read Vicomtesse de Chagny. It doesn't, so this mistake is valid.

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Trivia: When Christine removes the Phantom's mask, he pushes her down on the floor. Right after he says 'Curse you,' the camera goes back to her: she is half laughing. (00:45:30)

Sereenie

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Suggested correction: She's not laughing, it's shock and fear, she doesn't know how to react.

Revealing mistake: As the grating descends on Raoul, in two shots, large bubbles are flowing downwards. It's obvious, the film was reversed. (01:59:15)

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Trivia: In one of the 1919 flashback scenes, Raoul looks out of the car window at a Swarovski jewelry store. The Swarovski crystal company made the chandelier for the film, valued at over $1.3 million.

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Question: During point of no return, the phantom has no disguise on. If everyone was after him, why didn't anyone stop the performance and capture the phantom?

Answer: During "Point of No Return, " the Phantom shares a stage with the very vulnerable Christine. He is still masked, though it is a mask other than his trademark white face covering. The Phantom is well known as a murderer and an escape artist. This is the the equivalent of a hostage situation. To rush the stage might risk lives, and everyone in the know is proceeding with caution. During the song, we do get glimpses of police moving about, and Raoul and others looking concerned, subtly signaling one another and considering their next move. The stage crew seems confused. The dancers go on with the show. And law enforcement officers await the right moment to advance. It also gives us the opportunity to enjoy a dramatic musical number that rushing the stage would interrupt.

Michael Albert

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