Visible crew/equipment: A boom microphone is reflected in Luke's goggles when he says "Hey, what's the matter? You smell something?"
Visible crew/equipment: When Jake is in the bedroom with his wife (where he pours ice water on himself to calm down) you can see the top of some crew member's head in the foreground right below the camera lens.
Visible crew/equipment: In the opening scene you see an old ship in the water, if you look closely you can also see the shadow of the helicopter that is filming the scene.
Visible crew/equipment: In the final shot of the opening sequence (before "the Interview" title shot), at the top of the frame, you will see the helicopter blades twirling. (Visible on fullscreen DVD and VHS.) (00:02:43)
Visible crew/equipment: When Annie jumps from Mrs. Voorhees' jeep, a white elbow pad can be clearly seen on her right elbow. (00:20:00)
Visible crew/equipment: Ursa throws the sewer lid at Superman sending him flying backwards into the car windshield. Watch the sewer lid carefully when Superman actually hits the windshield. You can see that the sewer lid was actually attached to a belt around his waist so that it would stay in place for the shots where he is flying backward through the air. (01:39:50)
Visible crew/equipment: In the gospel church scene, where James Brown is whipping up the congregation, at one point as Elwood is dancing at the front of the church after Jake has "seen the light", where the camera is pointing down the nave of the church from what would be the altar end, a technician can be seen scurrying, at the back of the church, from the left to the right aisle. (00:19:05)
Visible crew/equipment: Striker is in the pilot's seat and a vulture is sitting on the back of it. On the bottom-left of screen you can see someone's forearm in a white sleeve, giving the suggestion that either Randy or Elaine are standing, and leaning on the pilot seat's armrest. However, Randy is not in the cockpit and Elaine is sitting in the co-pilot's seat. (00:57:05)
Visible crew/equipment: In "Whenever You're Away From Me", Kira and Danny dance by a mirror, where you can see the cameraman. (00:32:10)
Visible crew/equipment: When Harris and the two Irish men have been killed at the end and the car crashes on top of the other the ramp used to make it fly is visible.
Visible crew/equipment: When one of them is using the bathroom - out of the bathroom window and it sprinkles on his neighbor's flowers, watch when the camera view goes up because you can see someone squeezing a rag onto the porch banister to look like his pee.
Visible crew/equipment: When Mr. Hammond drives up to the school where his daughter died, you can see the reflection of the microphone in the left side of Mr. Hammond's car.
Visible crew/equipment: The crew and boom are reflected in the car door when the red convertible pulls up on the green.
Visible crew/equipment: When the elderly Elise returns from Richard's play and closes herself in her room at the Grand Hotel, the camera is briefly visible, reflected in the door glass as she enters the room. (00:04:00)
Visible crew/equipment: When the Trans Am drives out of the roller coaster frame (before it collapses), in Bandit and Frog's next close-up camera equipment (used for the close-up) is visible on the car's roof, though in the previous shot nothing is atop the car.
Visible crew/equipment: When Em is sheltering from the rain after being evicted from the hut, as the wall of fronds falls, the string used to pull it over is visible to the right of the screen. (00:55:20)
Visible crew/equipment: After getting Xi out of prison they take off in their jeep, and you can see a crew member wearing an orange shirt reflected in the jeep's window. (01:11:10)
Visible crew/equipment: When the trooper gets out of his patrol car and puts on his hat, his oversized sunglasses reflect the camera crew. (00:12:00)
Visible crew/equipment: At the end, when Gene Wilder stops the car in the desert and jumps out, several large studio lighting panels are reflected in the car door. (01:45:00)
Visible crew/equipment: When John is playing the piano, after the door opens by itself in the music room, there is a shot that revolves around him. If you look in the large mirror in front of the piano you can see the pole of the boom microphone reflected (behind the chandelier). (00:19:21)